FYC: ‘Elvis’ for Best Costume Design
Catherine Martin is a four-time Oscar winner with two wins for her Production Design work and another two wins for her Costume Design work. She…
FYC: ‘Elvis’ for Best Film Editing
When it was announced Baz Luhrmann was taking on the Elvis Presley story, many could already envision the glitz and the glamour the writer-director would…
FYC: ‘TÁR’ for Best Original Screenplay
Todd Field summons the audience’s attention when he places the end credits at the beginning of the film to gear up for the two-and-a-half-hour symphony…
FYC: ‘Babylon’ for Best Original Score
When Damien Chazelle announced his next film was going to be Babylon, the excitement of the young director returning to musicals ignited a flame on…
FYC: Angela Bassett for Best Supporting Actress
It’s far past time that we start referring to Angela Bassett as “Academy Award Winner Angela Bassett.” Thirty years after her first Oscar nomination for…
FYC: ‘Turning Red’ for Best Animated Feature
While the winner for this year’s Best Animated Feature seems all but set, 2022 was a great year for animated films. I’d like to think…
FYC: ‘Fire of Love’ Best Documentary
Fire of Love tells the story of volcanologists Maurice and Katia Krafft. The Kraffts were revolutionaries in the study of volcanology, being two of the…
FYC: Colin Farrell for Best Actor
This piece contains spoilers for The Banshees of Inisherin. “You used to be nice. Or did you never used to be? Oh, God. Maybe you…
FYC: TÁR for Best Picture
During the pandemic, Focus Features gave Todd Field the option to write about anything for his return to cinema after a 16-year break. Within a…
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