Loved Joanna Hogg’s THE ETERNAL DAUGHTER. Eerie chamber piece featuring Tilda Swinton (x2) as mother and daughter holidaying in Wales. Gestures to Kipling’s They, but at least as connected to MR James’s fogeys in guest houses. Touching, disciplined. Louis the dog is next level. pic.twitter.com/gq8qmkAAfw

— 🥃Donald Clarke🎥 (@DonaldClarke63) September 6, 2022

I was completely swept away by the gentle, eerie pull of THE ETERNAL DAUGHTER, Joanna Hogg's tiny, grief-as-a-haunted-house parable. Fave of the fest so far…? #Venezia79 pic.twitter.com/5yUaGGc8W4

— steph (@steph__green) September 6, 2022

THE ETERNAL DAUGHTER: Joanna Hogg returns to her characters from The Souvenir for another gift of a movie about a filmmaker (Tilda Swinton) who stays at a spooky Welsh hotel with her mom (Tilda Swinton) & starts seeing ghosts. tiny but haunting

my review: https://t.co/2aT3GBdk96 pic.twitter.com/bSWpttcCaW

— david ehrlich (@davidehrlich) September 6, 2022

I wouldn’t call THE ETERNAL DAUGHTER a sequel to THE SOUVENIR, but it expands on Hogg’s ongoing fascination for memory, which here is concretized into the film’s elliptical fabric, a luminous ghost story that would make for a perfect double with MHL’s ONE FINE MORNING #Venezia79 pic.twitter.com/WUkoUyNozx

— Leonardo Goi @Venezia79 (@LeonardoGoi) September 6, 2022

Joanna Hogg's THE ETERNAL DAUGHTER, a tale of virtually forgotten, haunted memories that beg to be registered. It speaks the loudest in its most silent moments. Finally, a film at #Venezia79 that brings the utmost of the immersive—the eeriness of sounds is so damn beautiful. pic.twitter.com/H839v4wwjQ

— Lukasz Mankowski @Venice (@tintedmagenta) September 6, 2022

THE ETERNAL DAUGHTER " … has the makings of a cult arthouse film while simultaneously serving as a rather poignant homage to motherhood and a remembrance of things past. For it is these memories we're doomed to embrace, always lurking round a corner, https://t.co/2nqr7xUA2P pic.twitter.com/E55pwhIA4g

— IONCINEMA (@ioncinema) September 6, 2022